|
|
Apalachicola and Florida’s Not Altogether Forgotten Coast Florida marketers climb all over themselves like fiddler crabs frenzied by lunching herons. They’ve branded peninsular Florida as the Conch Republic and Gold Coast, the Internet Coast, the Platinum Coast, Treasure Coast, Research Coast, Space Coast, Fun Coast, Historic Coast, First Coast, Paradise Coast, Suncoast, Nature Coast, and Original Florida. The Panhandle persisted as the Redneck Riviera long after its first formal branding as the Playground Area of the Gulfcoast. When golf and shore resorts began replacing timberlands in the western Panhandle, marketers up-branded the region between Pensacola and Panama City Beach. The new Emerald Coast literally left the eastern Panhandle off regional maps, whereupon those non-places declared themselves the Forgotten Coast. So they have remained even during the housing boom when real estate interests pronounced the Forgotten Coast déclassé. One land company marketer instead proposed “Unforgettable,” which critics dismissed as utterly forgettable, and “Uncommon” as emphatically common. Along the Forgotten Coast, the branding game frames one more battleground between Florida and F*L*O*R*I*D*A. Towns with Less than 4000 Residents Yet the region also remains the Bible Belt from a time when speed traps, illicit stills and pot smuggling formed the informal economy, peopled by a type that one songwriter characterizes as “Six days a sinner, seventh day a saint.”
Six-day ways show their grip on politics that lately permitted a monstrous transmission line through Apalachicola – the “Heart of the Forgotten Coast” -- and the Putin-like arrest of a reformer who challenged a good ole boy for a neighboring county commission seat. Now land developers are promising jobs to hard-hit economies in return for toll roads through national and state preserves. In the 2012 Republican Primary, Newt Gingrich won all of the Panhandle’s 11 most rural counties.
Not yet. Apart from timbering, a kind of tourism has arisen that, different from elsewhere in Florida, meshes nature, heritage, the arts and business in a one-of-a-kind place. Conservation is evolving from passive protection toward an economy of authenticity surrounding this prolific estuary, where three-quarters of the people make their living from the bay. Their catch generates some $134 million directly and an additional $71 million in value added impacts, according to Apalachicola Bay Chamber of Commerce Director Anita Grove. The Apalachicola Riverkeeper, for example, works to keep adequate freshwater flows into Apalachicola Bay that in turn nurtures the estuary. Its oysters, shrimp and fin fish–-none anywhere fresher--show up on menus of waterfront restaurants that range from classy to shacky, in historic buildings that start from Apalachicola’s antebellum cotton past. Two large interpretive centers convey estuarine history and the quirky past of St. Vincent Island where an eccentric once sheltered exotic beasts and where today in the national wildlife refuge the red wolves roam.
Apalachicola is 100 miles from any Interstate, and accordingly unmarred by exit ramp commerce. It’s the seat of Franklin County that has no mall, no movie theater, no billboard clutter, and only one traffic light – a blinking one. There's an old-time soda fountain in a gift shop. Toward sundown, a fiddle or flute may sound from the gazebo in Lafayette Park. The nearest beach is on St. George Island, a 25-minute drive. West of the state park, stilt houses have gone up willy-nilly. No landscaping, little community, and aspects of stadium parking lot tailgaters. Renters unpack their cars, throw off clothes, and don’t often dress again to visit town. Apalach, Florida Cars arrive from Tallahassee along two-lane Highway 98 carrying kayaks and bikes. Between pine forest and sparkling bay, creeks trickle through salt marsh. Cypress limbs strew narrow bay beaches with driftwood. The road hugs the shore like the costume of an acrobat. On a foggy evening, the long east-west causeway climbs a bridge over the ship channel where the ramp curves 90 degrees north before it drops to the town bottom. First faint shape is the 105-year-old steamboat Gothic Gibson Inn. You ease past as if guided by channel buoy moan. Night blankets a street edge where cotton bales once awaited the return of sea captains, who between June and November avoided the yellow fever of Cotton Town. Restaurant lights halo the drippy dark.
Essential Apalach centers along Water Street’s oyster and scallop processing houses and shrimp docks. Wefting’s still purveys utilitarian marine hardware and supplies from its 103-year-old store. The town still alphabetizes its east-west streets a class muting “Avenue A” through “M”. But downtown has also turned colorful. The old jail is yellow brick. Among galleries and garden supply stores, one place shows fuchsia brick and fuchsia shutters. Another is dull green outlined in purple, another purple-painted brick and board outlined in green. Under its high orange pressed tin ceiling, Tamara's Cafe Floridita serves its seafood with helpings of reggae and Santana. Restaurants feature local art. Among those most popular are Caroline’s, Up the Creek Raw Bar and the Owl Café. Where once the town's chief attraction was the John Gorrie State Museum that hails the inventor of the ice-making machine (and indirectly of air-conditioning), today it’s also the town’s improvising look. Artists show up and many soon turn to saving the old houses. Interior designer Lynn Wilson turned the Coombs House into an elegant inn. At another, she accommodates her 94-year old mother, Alice Jean Gibbs, a Coca Cola model and original Radio City Hall Rockette. Cooking school proprietor Jane Doerfer fixed a place for herself (later also acquiring the Pelican Inn on four-mile offshore Dog Island). Dixie Partington fixed one place, and with her late father Rex, also re-established live performance at the burned out Dixie Theater they re-built together. Photographer Richard Bickel fixed one up across from an oysterman who keeps bees. Richard’s black and white portraits rage against injustice while honoring the town’s salty workforce. Everyone knows it’s the oystering way of life that keeps the entire town together.
Heed Richard, and you feel doubly offended by spineless government that, in thrall to 21st-century land barons, permitted those behemoth power poles through Avenue F, a part of an African-American district called the Hill. One bank has installed an out-of-character digital time and date sign. An oil company has put in a garish non-conforming pump station. Lapses or augury? Ironically, it's the new people who get it more than the old. It's the paradigm of Florida that as awareness grows the game is lost. As if to mitigate their misfortune, Avenue F folks maintain a community garden. Emblematic of renewal that began late in the last century is former investment banker Michael Koun’s three-story 31-room Gibson Inn. It's soft blue, white, and friendly, welcoming visitors with cats in the lobby and a lit fireplace winters when a cold wind blows. Kathy Willis and her late husband Lee renewed the old Grady Store, built at the site of a cotton warehouse after a fire in 1900. It's now a collection of boutiques with posh vacation suites called The Consulate in the upstairs space once occupied by a French consul. Oystering brought the artists. The artists brought cachet. Cachet brought the boutiques. Typical of Apalachicola’s turnaround is how real estate values before the recession had risen seven or eight times in Michael Koun’s almost 30 years in town. New plank floors, tin ceiling, refaced Y-beams and re-pointed brick that spruced up jeweler Kristin Anderson’s former studio called for rents of $4,000 a month. Says Michael, “You could only do Porsche or Mercedes repairs there.” Whatever comes next, it’s hard to avoid a reality put best by retired Estuarine Research Reserve Director Woody Miley. "What we have to establish," he said, “is that the costs of big league development aren't worth the benefits of the fisheries we stand to lose. More people are the greatest threat to the bay." Florida In-the-Balance Coast?
Herb Hiller of DeLand, Florida, is currently at work on a book, The Lure of Place; Travel Unmediated by Tourism. His piece on watching birdwatchers in Kearney, Nebraska, was one of GoNOMAD’s top 10 for 2012. Read more articles by Herb Hiller: Read more articles about Florida on GoNOMAD: Reader Comment:
|
![]() |